Tell Me All About Your Battles Baby Boy
"Baby Male child" | ||||
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Single by Beyoncé featuring Sean Paul | ||||
from the album Dangerously in Love and Dutty Rock | ||||
B-side | "Summer" (remix) | |||
Released | August 3, 2003 (2003-08-03) | |||
Recorded | February 2003[i] | |||
Studio |
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Genre |
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Length | 4:04 | |||
Label |
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Songwriter(s) |
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Producer(s) |
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Beyoncé singles chronology | ||||
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Sean Paul singles chronology | ||||
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Music video | ||||
"Baby Boy" on YouTube | ||||
"Baby Male child" is a song recorded past American singer Beyoncé featuring Jamaican dancehall singer and rapper Sean Paul from Beyoncé's debut solo studio anthology Dangerously in Love (2003). Both artists co-wrote the song with Scott Storch, Robert Waller and Shawn "Jay-Z" Carter; the former also co-produced the song. Containing a lyrical interpolation of "No Fear" past hip hop group O.G.C, "Baby Male child" is an R&B and dancehall song with Caribbean and Asian influences; its lyrics detail a woman's fantasies.
Columbia Records and Music World Entertainment released "Baby Boy" every bit the second single from Dangerously in Love on August 3, 2003. "Baby Male child" topped the The states Billboard Hot 100 for nine sequent weeks and was Beyoncé'due south longest-running number-one unmarried until 2007, when information technology was surpassed by "Irreplaceable". It reached the top ten in many countries and was certified platinum by the Australian Recording Industry Association (ARIA) and the Recording Industry Clan of America (RIAA). It too reached the summit 10 in Commonwealth of australia, Belgium, Denmark, France, Germany, Ireland, the netherlands, New Zealand, Norway, Scotland, Spain, Sweden, Switzerland, and the Uk.
The vocal'southward music video was directed past Jake Nava and mostly shows Beyoncé dancing in various locations. "Baby Boy" has remained a staple of Beyoncé's concert set lists. The American Society of Composers, Authors, and Publishers (ASCAP) recognized it every bit one of the most performed songs of 2004. In 2005, American singer-songwriter Jennifer Armour filed a copyright infringement lawsuit claiming that the vocal had used the main musical hook from her song "Got a Little Scrap of Dearest for You". The accommodate was later dismissed.
Groundwork and development [edit]
In 2002, Beyoncé went to Miami, Florida, in the United States, to piece of work with American record producer Scott Storch for her debut solo studio anthology Dangerously in Love.[2] She and Storch wrote "Baby Male child", with contributions from American songwriter Robert Waller and Beyoncé'due south now-husband, hip hop artist Jay-Z.[2] The vocal also contains a lyrical interpolation of "No Fright" by hip hop group O.G.C. used towards the ending of the vocal: "We steppin' in hotter this year".[three]
Once the track was supposedly washed, Beyoncé had the idea that information technology would be "perfect" if Jamaican reggae artist Sean Paul contributed a vocal track.[3] Beyoncé contacted Paul about a possible collaboration for "Baby Boy".[four] [5] Sean Paul agreed, and flew in from Jamaica to join the recording sessions of the vocal.[3] He contributed a toast verse, and they finished recording "Baby Male child" in March 2003, during the subsequently stages of the album's recording.[4]
Music and lyrics [edit]
"Baby Boy" is a midtempo contemporary R&B and dancehall vocal[vi] [seven] [viii] with reggae, house and South Asian influences.[9] [10] [11] It was composed using common fourth dimension in the key of C minor,[12] and set in moderate groove of 92 beats per infinitesimal.[vii] Storch'south knowledge on Indian contributes to its Asian influences.[13] Neil Drumming of Amusement Weekly noted that "'Baby Boy' goes full-tilt Bollywood 'due north da hood, with Sean Paul ripping a pulsing tabla raga".[14] Beyoncé'due south vocals are accompanied by clicky and castanet-sounding beats,[15] synthesized handclaps and slaps.[sixteen] According to gossip blogger Roger Friedman of Flim-flam News Channel, "Infant Male child" is based on the reggae song "Here Comes the Hotstepper" (1995), performed by Jamaican vocalist Ini Kamoze.[17]
"Baby Boy" is considered to be a sequel to Jay-Z'south song "'03 Bonnie & Clyde" (2002) featuring Beyoncé.[4] The lyrics detail a woman's fantasies, and in keeping with the album's overall theme, Beyoncé'south deemed them as personal to her.[5] Paul remarked: "She'due south telling me nearly her fantasies and picturing me and her going here and at that place, all over the earth ... I'k answering back, like, 'I'grand wit it'."[4] The lyrics are synthetic in the toast–chorus–poesy form; Sean Paul performs the toasting while Beyoncé sings all other verses and choruses. The pattern is repeated twice; a further chorus and verse follow, resolving at the toasting and concluding verse.[iii]
Release [edit]
"Baby Boy" was released as the second unmarried from Beyoncé'due south debut studio album, Dangerously in Love (2003). It was serviced to gimmicky hit and rhythmic gimmicky radio in the Us on Baronial 3, 2003.[18] [19] Information technology was released as a CD single and 12-inch single in the United Kingdom on October 6, 2003. The vocal was released for maxi single in Canada the following solar day,[twenty] and in Germany on October 13.[21] It was released in the United States every bit a 12-inch and CD single on October 14 and 28, 2003, respectively.[22] "Baby Male child" was included in the revamped edition of Sean Paul's 2nd studio album Dutty Rock (2003).[23]
Controversy [edit]
In 2005, American vocalist-songwriter Jennifer Armour filed a copyright infringement lawsuit, claiming that Beyoncé had used some lyrics and the musical claw from her song "Got a Little Bit of Love for You".[24] [25] [26] In 2003, Armour's former label manager had submitted demo recordings to record labels, including Beyoncé's Columbia Records and Sean Paul's Atlantic Records.[27] [28] According to the district courtroom, an adept witness (Chair, Section of Music Theory & Limerick, Shepherd School of Music, Rice Academy) adamant the songs to exist "essentially similar" (a requirement for an infringement finding). Apropos the musical hook, the adept witness stated in his report: "When the aural comparisons of the two songs are presented in the fundamental of C minor (for like shooting fish in a barrel comparison) and presented back-to-back, in A–B–A–B fashion, even the least musically inclined listener should immediately determine that the two songs are strikingly like; I daresay that many listeners may even perceive them every bit existence the same vocal! And once again, transposing a song for this purpose does not modify any central qualities or characteristics of the vocal just merely assists the ability of those unfamiliar with the technicalities of music in making a comparison." The commune courtroom gauge nonetheless ruled that she, herself, couldn't hear the similarities between the two songs and dismissed the case, denying the move for the songs or instance to be heard by a jury.[26] On appeal, the U.s.a. Court of Appeals for the 5th Excursion affirmed the commune court's ruling but ruled with different reasoning. It held that there was no infringement based on Beyoncé'due south claim that Armour'due south demo tape was received before long subsequently the writing of Beyoncé'south vocal had been essentially completed. However, the court did non accost the result of substantial similarity.[28] [29]
Critical reception [edit]
Rolling Stone magazine reviewer Anthony DeCurtis wrote that Beyoncé sounded as if she was "having fun" on the song,[thirty] while Stephen Thomas Erlewine of the online music guide service AllMusic described Beyoncé'southward vocals as "bodacious and sexy".[31] Mark Anthony Neal of the international webzine PopMatters, regarded "Babe Boy" as i of the "high-contour collaborations" on Dangerously in Dear.[32] Lisa Verrico of the daily British paper The Times described the song a "Latino-tinged collaboration ... Paul does a reggae rap in the center, only information technology'due south when he chats while Beyoncé half raps that the pair take existent chemistry".[xv] Yancey Strickler of the Flak magazine wrote that "'Infant Boy''s diwali stutter is enhanced by Sean Paul's dancehall monotone".[33]
James Anthony of the British paper The Guardian commented that the runway "bridges the gap betwixt the genres of R&B and dancehall".[34] Los Angeles Times writer Natalie Nichols wrote that "the ... house-spiced 'Infant Boy' successfully meld[s] [Beyoncé's] breathy cooing with hip, interesting production."[viii]
Accolades [edit]
British record label EMI was honored by the American Gild of Composers, Authors and Publishers (ASCAP) at the 2005 ASCAP Pop Music Awards as Publisher of the Year for publishing "Baby Male child", amid other songs.[35] Scott Storch earned Songwriter of the Twelvemonth award at the same issue.[35]
Commercial performance [edit]
"Baby Boy" attained a positioning on the commercial charts before its concrete release in the Usa. The track led to a higher Billboard 200 chart placing for Dangerously in Beloved, and helped the album to reach multi-platinum certification in the United States.[36] The single debuted on the Billboard Hot 100, at number fifty-vii, while its predecessor "Crazy in Beloved" was even so on the height spot.[37] "Baby Boy" dominated on the radio in the United States, ultimately reaching the top of the Billboard Hot 100.[38] [39] [40] It reached the nautical chart's top spot eight weeks after its debut, and stayed there for nine consecutive weeks.[twoscore] [41] The single stayed number one for a calendar week longer than "Crazy in Love" had, condign Beyoncé'due south longest-charting number-one single at the time. The feat was not broken until her single "Irreplaceable" (2006), from her second album B'Day (2006), spent ten weeks at the top spot from late 2006 until early 2007.[42] The song became Sean Paul's commencement number-ane single in the U.s.. "Baby Boy" stayed on the Hot 100 for xx-nine weeks,[43] and was certified platinum by the Recording Manufacture Association of America (RIAA) on June half dozen, 2006.[44] "Baby Male child" achieved success on Billboard crossover and mainstream radio charts, appearing on the Top 40 Tracks, Rhythmic and Mainstream Top 40, besides as peaking atop the Radio Songs and Dance/Mix Show Airplay, and at number two on Dance Club Songs.[45] [46] [47] [39] Every bit of October vi, 2010, "Baby Male child" had sold 6,000 physical units in the The states.[48]
Internationally, "Baby Boy" performed just also, peaking inside the top x on all of the charts information technology appeared on, excluding the Ö3 Austria Elevation 40, Ultratop fifty Wallonia and Italian Singles Chart, on which it reached the top xx. The single debuted at number ii in the United Kingdom, becoming the chart'southward highest debut of the week and "Infant Boy"'s highest entry internationally.[49] Even though it spent seventeen weeks on the nautical chart, information technology failed to achieve the height, being held off by "Where Is the Love?" by The Black Eyed Peas.[49] In Australia and New Zealand, "Baby Boy" peaked at numbers iii and two, respectively.[50] [51] Information technology was certified platinum by the Australian Recording Industry Association (ARIA) for shipments in excess of 70,000 units.[52]
Music video [edit]
The music video for "Baby Male child" was filmed past English manager Jake Nava, who besides shot Beyoncé's "Crazy in Love" video. It was recorded in Miami, Florida on Baronial 7–8, 2003. Parts of the video were captured in a house with different style rooms: i in a Japanese fashion and one in an one-time English language manner.[53]
Scenes featuring Beyoncé and Paul are shown separately. The video begins with Paul sitting on a throne while toasting; Beyoncé is leaning against a wall and dancing. In the following scene, Beyoncé is seen on a bed. Paul is shown with several women who are lying on the floor caressing each other. Beyoncé walks towards the embankment; she spots a human, and the 2 touch and flirt. Every bit the second verse the begins, Beyoncé is at a party. At the party, Beyoncé decides to trip the light fantastic with the same human that she interacted with earlier. Then, water floods the floor of the party as she sings "the trip the light fantastic toe floor becomes the sea". Equally the second chorus of the song begins, the video is cut with scenes of Beyoncé and four backup dancers dancing on a platform in the sand on the beach. The original rail is interrupted towards the end with an Arabic instrumental, designed for the music video. This section showcases Beyoncé vigorously dancing on the sand.
Sal Cinquemani of the online publication Slant Mag, described the video every bit a "baby-oil-logged follow-up" to "Crazy in Love"'s "bootylicous video".[54] In 2013, John Boone and Jennifer Cady of E! Online placed the video at number nine on their list of Beyoncé's ten best music videos, praising the extended belly-dancing breakup.[55] "Baby Boy" premiered on MTV'south program Total Request Live on August 25, 2003, at number ten and reached the height spot.[56] [57] It stayed on the evidence for 40-one days, the same chart run "Me, Myself and I" earned.[56]
Live performances [edit]
Beyoncé kickoff performed "Baby Male child" alive at the 2003 MTV Video Music Awards;[58] she sang information technology in a medley with the pre-recorded vocals of Paul.[59] Beyoncé later sang "Baby Boy" with Paul at the 2003 MTV Europe Music Awards.[60] "Infant Boy" has been included on the set listing for nigh of Beyoncé'southward concert tours. Information technology served as the opening song of her Dangerously in Love Bout (2003). During her performance of the song on the tour, she was initially suspended from the ceiling of the arena that was gradually lowered to a red lounger—a prop she also used during the 2003 MTV Video Music Awards.[61] The footage taken at Wembley Loonshit in London, England was included on Beyoncé's first live album Live at Wembley (2004). Beyoncé too performed "Baby Boy" with her former grouping Destiny's Child during their last bout Destiny Fulfilled... and Lovin' It (2005), and it was included on their second alive album Destiny's Child: Live in Atlanta (2006).[62]
"Baby Male child" was a part of Beyoncé's prepare listing on The Beyoncé Experience (2007) in Los Angeles, California, and on I Am... Globe Bout (2009–10).[63] On August 5, 2007, Beyoncé performed the song at the Madison Foursquare Garden in Manhattan, New York Metropolis;[64] [65] wearing a belly-dancer-blazon outfit, she descended the staircase holding an umbrella and was met by iii men wearing fatigues.[65] A brusque section of Chaka Demus & Pliers' vocal "Murder She Wrote" (1993) was incorporated into "Baby Boy".[65] Jon Pareles of The New York Times praised the performance, writing that Beyoncé "needs no distractions from her singing, which tin exist airy or brassy, bawling or brutal, rapid-burn down with staccato syllables or sustained in curlicued melismas. But she was in constant move, strutting in costumes".[64] She performed in a similar arrangement at the Los Angeles' Staples Center on September 2, 2007. She was dressed in a belly dancing outfit, and the operation was executed with several male backup dancers and live instrumentation.[66] Beyoncé re-produced the dance she executed in the song's music video.[62] When Beyoncé performed "Baby Boy" in Sunrise, Florida on June 29, 2009, she was wearing a glittery gold leotard. When her performance began, she was suspended in the air, and then lowered to the B-stage to where she sang "Baby Boy" with an excerpt from Dawn Penn's "You Don't Love Me (No, No, No)". Blithe graphics of turntables, faders and other guild equipment were projected behind the dancers and musicians.[67] Beyoncé was accompanied by her backing band Suga Mama, which consisted of ii drummers, two keyboardists, a percussionist, a horn department, 3 imposing fill-in vocalists and the atomic number 82 guitarist Bibi McGill.[68] "Baby Boy" was included on her live anthology The Beyoncé Experience Live (2007),[69] and the deluxe edition of I Am... World Tour (2010).[lxx] At the 2005 ASCAP Pop Music Awards, "Baby Boy", along with Beyoncé's 2 other singles from Dangerously in Honey – "Me, Myself and I" and "Naughty Girl" – was recognized as i of the most performed songs of 2004.[71]
"Infant Boy" was performed by Beyoncé in a pink fringe clothes at a concert at Palais Nikaïa in Nice, French republic, on June 20, 2011,[72] and at the Glastonbury Festival on June 26, 2011, where she brought out British trip hop singer Tricky to guest on the song.[73] Betwixt May 25–28, 2012, Beyoncé performed the song during her Revel Presents: Beyoncé Alive revue at Revel Atlantic Urban center, New Jersey.[74] [75] Jim Farber of the Daily News wrote: "The commencement, and last parts of the show stressed the steeliest Beyoncé, told in bold songs... [like] dancehall-inflected 'Baby Boy.'"[76] On Feb three, 2013, Beyoncé performed the vocal during the Super Bowl XLVII halftime show.[77] In 2013, Beyoncé performed "Baby Boy" equally a medley with "Go Me Bodied" during her The Mrs. Carter Show World Tour (2013–14), while the songs were performed separately in 2014. The song was too performed during The Formation World Tour (2016).
Rail listings and formats [edit]
No. | Title | Length |
---|---|---|
1. | "Baby Boy" (Album version) (featuring Sean Paul) | 4:04 |
two. | "Baby Male child" (Junior Vasquez Order Canticle Remix) (featuring Sean Paul) | eight:50 |
3. | "Infant Male child" (Maurice'south Nu Soul Mix) (featuring Sean Paul) | half-dozen:14 |
4. | "Baby Boy" (Maurice's Nu Dub Infant!) (featuring Sean Paul) | 6:thirty |
Full length: | 25:38 |
No. | Title | Length |
---|---|---|
ane. | "Infant Boy" (featuring Sean Paul) | 4:06 |
2. | "Baby Boy" (Instrumental) | 4:04 |
3. | "Summertime" (Remix) (featuring Ghostface Killah) | 4:05 |
Total length: | 12:15 |
No. | Title | Length |
---|---|---|
one. | "Babe Boy" (Anthology version) (featuring Sean Paul) | 4:04 |
2. | "Babe Male child" (Junior's Padapella) (featuring Sean Paul) | three:58 |
Total length: | 8:02 |
No. | Title | Length |
---|---|---|
1. | "Baby Male child" (Anthology version) (featuring Sean Paul) | 4:04 |
2. | "Baby Boy" (Maurice's Nu Soul Mix) (featuring Sean Paul) | 8:50 |
3. | "Babe Boy" (Junior'due south Padapella) (featuring Sean Paul) | three:58 |
four. | "Krazy in Luv" (Adam 12 So Crazy Remix) (featuring Jay-Z) | iv:xxx |
Full length: | 18:06 |
Charts [edit]
Certifications [edit]
Release history [edit]
References [edit]
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External links [edit]
- Official music video on YouTube
Source: https://en.wikipedia.org/wiki/Baby_Boy_(Beyonc%C3%A9_song)
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